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Tim O'Brien
Over the last 30 years, Tim O'Brien has become one of the most respected and beloved
singers and musicians in the ever-growing Americana explosion.
Nominated for three Grammys and the winner of the 1993 International
Bluegrass Music Association Male Vocalist of the Year, he is well
known for his pitch-perfect voice and amazing talent with multiple
instruments.
Throughout his career he has played everything from
swing to traditional, bluegrass to country. His reputation as a
perfect representative of this fusion was cemented when he was
recently asked to serve as president for the IBMA, an organization
that believes in honoring "all the roots and branches,"
according to O'Brien.
He realizes that it takes more than just a random collection of
songs to make up an album and, as a result, consistently produces
CDs that are on a plateau above those of most of his contemporaries.
Naturally, he runs the risk that some people won't like the
particular theme he chooses for an album, be it his Bob Dylan covers
of several years ago, or the Celtic/Appalachian thread he follows in
The Crossing. Fortunately, commercial acceptance isn't his primary
consideration, as he recently made known in Bluegrass Unlimited.
He's all the better artist for it, and his fans are all the happier.
Tim will be joined by featured musicians fiddler Casey Driessen and
concertina, flute, and button box player, John Williams.
Téada
In just three short years, Téada has exploded onto the international touring circuit,
capturing the imagination of many with a creative and spontaneous musical approach,
seeking to capture the intricacies of traditional art form within a contemporary band context.
Having first come to attention through an appearance on the innovative Irish television
series, Flosc, in 2001, Téada went on to undertake highly successful tours of the United
States, Finland and Germany throughout their initial two years as a band. The following year,
2003, saw audiences hearing for the first time, an expanded 5-member line-up featuring
accordionist Paul Finn from Laois. The re-release of Téada’s debut album worldwide later
in the year by US label, Green Linnet, saw the band being awarded the prestigious “Best
Traditional Newcomers 2003” award from Irish Music Magazine.
After headline performances at all the major US Irish/Celtic
festivals over the summer months, and a visit to Germany in October, the band have most recently
welcomed Sligo flute-player, Damien Stenson, to the line-up.
Sliabh Notes
At the heart of the Sliabh Notes sound is the playing of Dónal
Murphy on accordion, and Matt Cranitch on fiddle, who in the words
of Paul Dromey, Folk Columnist of the Evening Echo, “have proved
themselves to be one of the finest and most electrifying Sliabh
Luachra-style box and fiddle duos you could wish to hear.” Added
to this is the versatile guitar-playing and unique singing of Tommy
O'Sullivan. The result is a dynamic mix of exciting traditional
music that is vibrant, powerful and compelling. Nuala O'Connor has
said in the Irish Times; “It is difficult not to be carried away
by this music.”
Sliabh Luachra, in the south-west of Ireland, is well-known for its
unique style of Irish traditional music, particularly its distinctive
repertoire of slides and polkas. The area has long been an inspiration
and source of influence for Dónal, Matt and Tommy, and this can be heard
very much in their music. Their concert repertoire and recordings also
feature exciting tunes and songs from other sources, including the
American tradition, which is particularly fitting given the theme of
this year’s festival.
Individually, Dónal, Matt and Tommy have long had an interest and
involvement in the playing of American music – Tommy through his
singing of some great songs, including ‘From the Heart’
on the first Sliabh Notes CD; Matt through his playing for some years with
‘The Lee Valley String Band’ in Cork, and with ‘Chris Meehan and His Redneck
Friends’ in Dublin; and Dónal because of his involvement with ‘Four
Men and a Dog’ in Ireland. The Elders
Transcending fashion and flawless in design, the stuff spewed
forth that not only had no expiration date and the shelf life of the
sun, but was also nutritious, less filling and tasted great. They
rocked the world - yours, mine and ours - and formed the ties that
bind the four winds, the four corners of the earth, the four walls
and the four horsemen of the apocalypse; soon they attracted wild
capacity crowds that danced a crazed emerald jig to the unholy
racket that poured forth from the souls of these tragically flawed
but collectively perfect men among boys who have now sent forth the
challenge to the uninitiated, the bored, the downtrodden, the
huddled masses of unimpressed nightclubbers everywhere as one of the
greatest machines ever assembled; that which can inspire and remind
you, brothers and sisters, that indeed you might still have a heart
and yes, maybe even a soul. They are the Elders. They blew you away at
NTIF 2004 and now, by popular demand they are coming back to repeat
the experience.
The McKrells
The McKrells bring Bluegrass together with its Celtic roots, toss
in the heartfelt fervor of folk and put it all out there with the
energy of rock. Leader Kevin McKrell has come into his own as a
songwriter, with a song that the Fureys took to the top of the
charts in Ireland and Australia. The group boasts award-winning
instrumentalists - Chris "Lee" Leske (banjo); Craig Vance (guitar);
Brian Mellick (percussion); Doug Moody (fiddle) - who provide
show-stopping complements to the original and traditional tunes. The
McKrells' name on the marquee has proved to be a sure-fire sold-out
show any place where they have played regularly. This genre-bending,
no-holds-barred approach to the music has earned them support slots
for Solas, Altan, Fairport Convention and Travis Tritt. After a
decade with Donnybrook Fair and working as a solo in the Eighties,
Kevin McKrell has now put together the band that he heard in his
head for years.
Paddy Keenan
Paddy was born in Trim, Co. Meath, to John Keenan, Sr. of Westmeath and
the former Mary Bravender of Co. Cavan. The Keenans were a Travelling
family steeped in traditional music; both Paddy's father and grandfather
were uilleann pipers. Paddy himself took up the pipes at the age of ten,
playing his first major concert at the Gaiety Theatre, Dublin, when he
was 14.
Paddy began playing around Dublin with singer/keyboardist Triona Ni Dhomhnaill, singer/guitarist
Micheal O Dhomhnaill, Paddy Glackin, Matt Mollov, Tony MacMahon and Donal Lunny
under the name of "Seachtar," the Irish word for "seven." Micheal O' Dhomhnaill
had recently returned from Scotland, where he happened across a photograph
taken in the 1890s of a group of tattered musicians. "The Bothy Band," it
was titled, in reference to the migrant Irish laborers who worked in England
and Scotland and were housed in stone huts known as "bothies." Micheal suggested
that the band take this name, and the others agreed. Thus was born one of the
most influential bands of the 1970s, The Bothy Band.
The Bothy Band forever changed the face of Irish traditional music,
merging a driving rhythm section with traditional Irish tunes in ways
that had never been heard before. Paddy was one of the band's founding
members, and his virtuosity on the pipes combined with the ferocity of
his playing made him, in the opinion of many, its driving force.
Paddy will be accompanied by guitarist Tommy O'Sullivan.
John Williams and Dean Magraw
It is rare to find pure creativity and extraordinary musical talent in one
performer, but when two are combined, the possibilities are endless. John
Williams, an award-winning concertina, flute, and button box player, and
Dean Magraw, an adventurous guitar master, combine their diverse talents and
styles for an unbeatable concert. Williams and Magraw first joined forces
ten years ago when they were invited on stage at The Cedar Cultural Center
by fiddler Martin Hayes to improvise an encore of Irish jigs and reels. The
resulting confluence of these three giants sparked an immediate electricity
which opened the door to John and Dean's fruitful and enduring
collaboration. Although both musicians are active on many musical fronts,
they are continually surprised by the inspiration which ignites when they
come together. Steeped in the love of traditional Irish music (and its
Celtic relatives in other lands), John Williams and Dean Magraw bring a
solid foundation of melodic integrity to the stage.
Dean performed for two of John Williams' recent recordings to great critical
acclaim, and the two are preparing to release their most recent duo recording
this fall entitled Raven. The album is a traditionally innovative collection of
chestnuts and road tested originals which soars from driven dance tune
adventures to dark haunted airs. Ed Miller
Ed Miller is one of the finest singers to emerge from the
Scottish folk revival, a guitar-wielding folkie who wins his
audiences over with a sweet but powerful voice, a great ear for
material, and equal doses of populist politics and wry humor. He
learned his craft in the sessions, clubs, and festivals of the folk
revival, both in Scotland and the United States. Ed is the host of a
folk music program on Austin's NPR station, KUT-FM. He is a
performer who has learned his craft in musical venues on both sides
of the Atlantic, and a folklorist who brings his love of Scotland to
every performance.
Ed is well known in the Dallas area, and has earned a well
deserved reputation as the "Token Scot" at the NTIF.
Ed will be accompanied by guitarist Rich Brotherton and fiddler
John Taylor.
Jed Marum
Jed Marum sings songs from Ireland, Scotland and North America. With
humor and history he brings a variety of songs and sounds to the
stage - old country airs and emigration stories - original and
traditional songs. He is known as a gifted singer, a polished
musician and a talented song-writer. Ireland's South East Radio
program host Nicky Rossiter says, "Jed Marum has a confident knack
of taking the history of Ireland and the United States of America,
combining them with music and creating some mini-epics."
Performing with Jed are, Tom Leighton (accordion, melodian, bodhran
and bouzouki) and Curly Boy Stubbs (guitar, mandolin, dobro), plus
special guest Betty Blakley Waddoups. Tom
Leighton is well known for his ability to play several instruments
AT THE SAME TIME and for his infectious, energetic performances.
"Curly Boy Stubbs" aka. Paul Mills is one of North America's most
accomplished musicians and folk music producers. Paul has performed
for many years under the stage name, Curly Boy Stubbs, a name
favored by his best-friend and band mate, Stan Rogers. |
The North Texas Irish Festival is a production of the Southwest
Celtic Music Association
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